Wednesday, February 28, 2018

REVIEW: Incredibly Hot Sex with Hideous People: Diary Comics

Above: Incredibly Hot Sex with Hideous People: Diary Comics, cover by Bryce Galloway.

Diary comics, by virtue of their form, offer a particularly intimate view into the ongoing life of their author. The daily struggles at their day-job, their relationship and family, the small but notable incidents of everyday life - no matter how absurd or trivial. If it was a memorable part of their day, it goes on the page.

The cover for Incredibly Hot Sex with Hideous People: Diary Comics by Bryce Galloway perfectly communicates its contents: his daily life and thoughts expressed on paper, as if you were leafing though his memory one page at a time. Galloway is one of New Zealand's leading Zine makers, with 63 issues (and counting) of Incredibly Hot Sex with Hideous People produced over the last 15 years, with selections from 9 years worth of diary comics appearing in this collection.

Within these entries you'll witness Bryce's ongoing sprint to catch the morning bus, see his children grow, watch Bryce deal with back pain and diarrhoea, meet his 'DW' (de facto wife) who halfway through this book becomes his wife. Actually, if you read closely you'll find lots of personal growth taking place on the page, from getting a cellphone to a promotion to Senior Lecturer at Massey University.

Above: artwork from Incredibly Hot Sex with Hideous People: Diary Comics, cover by Bryce Galloway.

Unlike James Kochalka (American Elf) or John Porcellino's (Diary of a Mosquito Abatement Man) more conventionally styled diary comics, Galloway does away with panel boarders and (most) speech balloons to capture the notable moments of each day in an organic free-flowing style, in roughly six drawing a page (give or take). The line-work is confidant and loose, capturing the energy and feeling of his memory of events rather than a more detailed rendering. Although this comes with its own unintended side effects: hilariously, at one point DW calls him out on his depictions of her (which at times looks like a maniacal zombie), fair call - in the second half of the book more care is taken in her visual representation.

And that's one of many enjoyable layers of this book, watching Galloway share his utterly fearless depiction of his daily life through his diary comics, while also having to consider his family's involvement and participation. Should he focus more on the 'sweeter moments'? He could, but as any reader will tell you, suffering makes for far more interesting art. Warts and all, this is a hugely enjoyable read. You'll come away feeling like you know a great deal about Galloway's day-to-day life, and perhaps be inspired to create a diary of you're own...if only we could all be this brave.

Above: artwork from Incredibly Hot Sex with Hideous People: Diary Comics, cover by Bryce Galloway. 

Incredibly Hot Sex with Hideous People: Diary Comics by Bryce Galloway is published by Pikitia Press, and available now from selected booksellers. For more information, you can also visit Bryce Galloway's website HERE.

Product information:
Incredibly Hot Sex with Hideous People: Diary Comics
Bryce Galloway
RRP: $20.00

- AK!

Wednesday, February 7, 2018

International Comic Creators attend New Zealand Festival: Writers and Readers Events!

Above: Cartoonist Sonny Liew. Photo copyright Tom White 2018.

The New Zealand Festival kicks off the literary calendar for 2018 with Writers & Readers events, running from March 8th - 11th. As per usual, they have assembled a great international and local line-up of writers, including a wealth of acclaimed cartoonists. Visiting cartoonists include: Singaporean Sonny LiewSarah Glidden and Mimi Pond from the US, who will be appearing alongside local cartoonists/writers: Sharon Murdoch, Toby Morris, Sarah Laing, Brent Williams, Jonathan King and Dylan Horrocks.

Here's a rundown of the cartoonist and comics related events:

Above: The cover of The Art of Charlie Chan Hock Chye by Sonny Liew. Copyright Sonny Liew 2018.

In 2015 Singaporean cartoonist Sonny Liew released The Art of Charlie Chan Hock Chye, an ambitious graphic novel that charts the life and career of a fictional comic book artist, Charlie Chan Hock Chye. By weaving together fact, fiction, and different genres, it tells the story of the formative years of Singapore's modern history and also the multi-faceted history of the comics medium itself. It was the bestselling local fiction title of that year, and went on to win the Singapore Literature Prize, and Book of the Year at the Singapore Book Awards in 2016. The following year it was nominated for six US comics industry Eisner Awards, winning three -  Best Writer/Artist, Best US Edition of International Material - Asia, and Best Publication Design.

He talks to local comics creator Dylan Horrocks (Hicksville, Sam Zabel and the Magic Pen) about the challenges of speaking truth via art.

Above: Mimi Pond. Photo Copyright Wayne White 2018.

The illustrative works of Mimi Pond, described by New Yorker cartoonist Roz Chast as “hilarious, terrifying, moving and compulsively readable”, have been pouring from her pen since she started at the National Lampoon magazine in the late ’70s. Since then, she has contributed to many publications such as The Village VoiceThe New York Times,  The Los Angeles Times and many more. She also notably wrote the first broadcast episode of The Simpsons, "Simpsons Roasting on an Open Fire" in 1989, which was nominated for two Emmy awards.

In her two graphic semi-memoirs, Over Easy and The Customer Is Always Wrong, she looks back at her art student days working Oakland diners in the drugs ’n’ sex-fuelled ’70s – and talks hospitality, morality, mortality and more with broadcaster Eva Radich.

Above: An image from Out of the Woods, a graphic novel by Brent Williams, illustrated by  Korkut Öztekin. Copyright Korkut Öztekin 2018.


Mimi Pond will also be appearing in conversation with Wellington writer Brent Williams. Mimi Pond recalls heady ’70s days working at a California diner in her acclaimed semi-memoirs Over Easy and The Customer is Always Wrong. Brent Williams pursued social justice at Wellington community legal aid organisations in the ’80s, hit the wall with depression then addressed his troubled family past in the graphic novel Out of the Woods, illustrated by  Korkut Öztekin.

Above: The cover of  Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq by Sarah Glidden. Copyrght Sarah Glidden 2018.


Seattle-based writer and illustrator Sarah Glidden works primarily in reportage comics. Her first book, How to Understand Israel in 60 Days or Less (2010), detailed her encounters with Israel’s internal conflict, and has since been translated into five languages. She returned to the Middle East in Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq (2016) – described as “an ambitious, nuanced and sprawling work of graphic non-fiction” (Rolling Stone).

She talks with former war correspondent and RNZ Morning Report co-host Susie Ferguson.

Above: The cover of  The Customer Is Always Wrong by Mimi Pond. Copyright Mimi Pond 2018.


These two gifted American comics artists mine personal stories in graphic form. Sarah Glidden and Mimi Pond join in conversation on this panel to display and discuss the personal and political nature of their work.

Above: The cover of Mansfield and Me by Sarah Laing. Copyright Sarah Laing 2018.

This year, Katherine Mansfield fans celebrate the 120th anniversary of the famous New Zealander’s birth. Historian Redmer Yska, comics creator and illustrator Sarah Laing, and poet, novelist and critic Vincent O’Sullivan have all published on Mansfield's life and work. They discuss all things KM - particularly her singular legacy and place in Wellington’s history - with poet Kate Camp, who was the most recent Katherine Mansfield Menton Fellow, in residency at the writer's former South of France home.

How do you tap into your visual imagination? What makes a great illustration? And what’s it like living with one of the most popular first names of the 1980s and ’90s? All those questions and more will be addressed by comics creator, illustrator and graphic designer Sarah Laing (Mansfield and Me); award-winning designer and hand-letterer Sarah Maxey; and award-winning illustrator Sarah Wilkins, whose work appears in the bestselling anthology Good Night Stories for Rebel Girls.

Chaired by Sarah Lang.

Above: Gun Lore, a cartoon by Sharon Murdoch. Copyright  Sharon Murdoch 2018.


Caricaturing, satirising and making fun of the powerful has been a popular and dangerous position since the days of the hieroglyph.

Discussing the challenges of drawing the right lines around current events are three top political cartoonists: Eisner Award–winning comics artist Sonny Liew from Singapore, and locals Sharon Murdoch (twice cartoonist of the year at the Canon Media Awards) and Toby Morris (The Side Eye); with filmmaker/cartoonist Jonathan King (Black Sheep).

Above: An illustration of the iconic D&D monsters, The Gelatinous Cube (!) by Dylan Horrocks.


Would you rather face chaotic evil or lawful evil? How high is your charisma? And what’s with those weird-looking dice? If you have the answers, you’ve probably rolled up your own characters and stories in role-playing games.

Join games maker Morgan Davie and comics creator and Dungeons & Dragons enthusiast Dylan Horrocks as they discuss player-generated games and their potential for great storytelling with novelist Danyl Mclauchlan.

Above: Bad Ape, one of the digitally created characters from the film, War for the Planet of the Apes. Copyright Weta Digital.

While this isn't strictly comics related, I imagine this event will also be of interest to pop culture fans. In this behind-the-scenes session, Visual Effects Supervisor Dan Lemmon shows and tells how rapid advancements in visual effects by Weta Digital allowed the creation of a large cast of digital apes displaying unprecedented and convincingly dramatic emotion and intelligence.

Dan will return to Wellington from attending the Oscars in Los Angeles, where War for the Planet of the Apes is nominated for Visual Effects, to show and tell how Weta Digital's cutting-edge technology now gives filmmakers the ability to tell stories limited only by their imagination.

With all these events happening over three days it's going to be a very busy weekend for comics fans in Wellington! For more information and to secure your tickets, visit the New Zealand Festival: Writers & Readers website HERE.

- AK!