Monday, August 22, 2011

Roger Langridge cleans up at the 2011 Harvey Awards!

Above: The Muppets have a reason to celebrate, as drawn by Roger Langridge. Copyright Disney/The Jim Henson Studio 2011.

Last night saw the winners announced for the 2011 Harvey Awards, with two awards going to New Zealand cartoonist Roger Langridge. He came away with Best Writer for his work on Marvel's acclaimed all-ages series Thor: The Mighty Avenger, and the Special Award For Humour In Comics for his groundbreaking comics adaptation of The Muppet Show from Boom Studios.
Above: A tender moment from Thor: The Mighty Avenger, as written by Roger Langridge with art by Chris Samnee. Copyright Marvel 2011.

Roger's artistic collaborator on Thor: The Mighty Avenger, Chris Samnee, was also awarded Most Promising New Talent.
This series was well received by critics and fans alike, but only lasted eight issues. Following the early adventures of Thor the god of thunder, it managed a fine balance of adventure, humour, and a beautifully handled romance. Basically this book has a hell of a lot of heart, and puts most of it's fellow 'mature' superhero comics to shame. It's available in two very affordable volumes now, so make sure you pick them up today and find out what all the fuss is about!

Also available now is the first issue of Roger's new comic series Snarked! #0, from Boom Studios. This zero issue only $1US, which given the strength of our NZ dollar at the moment makes it next to nothing, so grab a copy while it's cheap! For more in-depth information on the world of Snarked!, you can now visit the new website Snark Island for character information, preview art and lots of other goodies HERE.

So congratulations to Roger on some well deserved awards!

PS: If you're listening Marvel: now would be a good time to announce that complete Thor: The Mighty Avenger oversized hardcover;)

PPS: Word to the wise: If you don't already have a copy of The Muppet Show in paperpack, it's currently 60% OFF on Amazon HERE!

-AK!

Thursday, July 28, 2011

REVIEW: Baltimore: The Plague Ships


Above: A page from Baltimore: The Plague Ships by Ben Stenbeck. Copyright Mike Mignola/Dark Horse Comics.

Lord Baltimore is the latest victorian horror hero to emerge from the mind of comics master Mike Mignola and his collaborators Christopher Golden and New Zealand artist Ben Stenbeck.

The first installment in what will no doubt be an ongoing adventure, The Plague Ships introduces us to World War 1 veteran Lord Henry Baltimore, a soldier turned peg-legged vampire hunter cutting a bloody path across plague infested Europe in pursuit of a vampire leader known as Haigus.

After exterminating a nest of vampires on the coast of France, Baltimore finds temporary sanctuary with an elderly witch and her granddaughter Vanessa. They assist him in escaping the village locals, who are less than grateful for the presence of this suspicious looking stranger. The only catch is, Vanessa insists on accompanying Baltimore on his voyage to Livorno, so she can leave her death ridden village behind her.

During the voyage, Baltimore recounts to Venessa his harrowing encounter with vampire bats amongst the corpses of the dead on the battlefields of World War 1, which may have provided the catalyst for the original plague outbreak. Soon their trip takes a treacherous turn, as a vicious storm sinks their ship leaving them stranded on a deserted island, inhabited only by the wreckage of plague ships, victorian submarines and the corpses of the infected. Whether they'll stay dead long enough for Baltimore and his companion to survive the night is another matter entirely...

This is another solid entry into Mignola's growing library of victorian styled horror comics. The writing takes its cue from the likes of classic horror novelists like Bram Stoker, opting for slow-burn reveals and atmosphere rather than shock images, and is all the better for it.

Above: A page from Baltimore: The Plague Ships by Ben Stenbeck. Copyright Mike Mignola/Dark Horse Comics.

An equal amount of credit has to go to Stenbeck, who's carefully paced artwork expertly tells the story, keeping it atmospheric and grounded at all times. At first glance it would be easy to call Ben's artwork here a close approximation of Mignola's own, as they share a very similar stylistic approach (and it certainly doesn't hurt); but a careful study reveals Ben is bringing just as much of his own great touches to the series.

Stenbeck's artwork has a layer of vintage detail and texture that brings a lived in reality to the story and it's historical setting. It's subtile, but an essential element necessary to reinforces this story, one which I think would have been lost in the abstraction if Mignola had illustrated it himself. Ben's artwork doesn't contradict the visual language of Mignola's world, but expertly adds to it when called for, the sign of a true collaborator. The hardback also contains a bonus sketchbook of Ben's development drawings and sketches as well as brand new pin-ups!

Above: Baltimore: The Plague Ships cover by Mike Mignola. Copyright Mike Mignola/Dark Horse Comics.

This hardback collection has already landed on the prestigious New York Time Bestseller List, with a sequel mini-series Baltimore: The Curse Bells, beginning with issue #1 shipping August 10th from Dark Horse Comics.

If you're a fan of classic suspenseful horror from when vampires were vampires (and not socially awkward tweens) then this is essential reading! It's available from Dark Horse Comics and your local book store now, for $24.99US.

For more of Ben's artwork, check out his website HERE, and you may want to revisit this Studio Visit I conducted with Ben a few years ago for a look inside his working process HERE.

-AK!

Thursday, July 21, 2011

EVENT: Overload 2011 NZ Comics & Manga Convention


If you're a fan of Manga, comics and Cosplay, then this weekend's Overload Convention is for you!
This two day event will be held July 23-24th at the Hotel Pullman (formerly the Hyatt Regency Hotel) Regatta Rooms in Auckland, from 10am-5pm. There's a $5 entry fee at the door, which buys you entrance to the NZ Comics and Manga Market, Cosplay and artwork competitions, special guest panels and more.

Special guests include: Ant Sang, designer of Bro' Town and creator of the recent graphic novel Shaolin Burning. Ant will be appearing all day Sunday and presenting a panel discussion on his work at 1pm.

Dylan Horrocks, author of Hicksville and currently producing the webcomic Sam Zabel And The Magic Pen at www.hicksvillecomics.com will be appearing both days at the New Zealand Comics booth, along with myself, Lee-Yan Marquez creator of The Impostor series, and Richard Fairgray of Blastosaurus.

Yuri Inaba, the Grand Champion of the World Cosplay Summit 2009 will also be appearing both days, shearing her passion for Cosplay and Anime with her NZ fans, as well as taking part in a Q&A session on Cosplay at 2pm on Sunday afternoon.

Above: A photo from Overload 2010.

If you're not familiar with the manga and cosplay movement in New Zealand, this convention will be a real eye-opener. After attending last year, I can tell you some of the artwork and comics available here are amazing, and I expect this year will be no different. For more information about Overload 2011 and a timetable of the weekend's events, check out the official website HERE.

-AK!

Sunday, July 17, 2011

NZ Exclusive: New Karl Urban as Judge Dredd Picture

Above: Karl Urban providing the chin for Mega City One's top cop. Copyright 2000AD/DNA Films 2011.

He's the latest photo of Karl Urban from the upcoming movie reboot Dredd.
Based on the long-running British weekly comic, directed by Pete Travis from a script by Alex Garland, the film was due for release later this year, but since filming wrapped in South Africa some months back it's been pretty quiet on the announcement front. I'd say we can expect an update from next week's San Diego Comic Convention, with possibly a firm release date. In the meantime, if I see Karl at our local supermarket (it's happened before..) I'll ask him myself...

-AK!

Friday, July 15, 2011

Auckland Zinefest 2011: Comics Preview


Above: a page from Into The Dark Woods by the Sheehan Bros. Copyright Sheehan Bros 2011.

At this weekend's Auckland Zinefest there will be a number of new NZ comics making their debut.
Here's an exclusive art preview of issue #3 of the Sheehan Bros' graphic novella Into The Dark Woods. It's only $3 and if you've missed the earlier issues, you can pick them all up for just $8!

Above: Into The Dark Woods by the Sheehan Bros. Copyright Sheehan Bros 2011.

Marc Steeter will also be there with a new comics collection ActionMan Adam: First Impressions (based on his popular webcomic that you can view HERE). It follows the romantic misadventures of Adam, an outgoing Canadian guy making his way in Christchurch, New Zealand. It's a huge 44 pages and comes in a pack with a badge and stickers for only $10!
Above: A box of customised ActionMan Adam: First Impressions. Copyright Marc Streeter 2011.

The print run is strictly limited to 46 copies, and to make it extra special: each and EVERY cover has been personally customised by Marc! (yes, that's 46 separately hand drawn backgrounds, you can view them all HERE). So be in fast to get your favourite cover.

Above: A page from ActionMan Adam by Marc Streeter. Copyright Marc Streeter 2011.

Marc's ActionMan Adam webcomic has recently started a new story-line reflecting the effects of the Christchurch earthquakes on Adam and his friends; it's a bold move and definitely worth checking out. You can follow the latest updates HERE.
Above: Darkest Day: Comics for Christchurch. Copyright Funtime Comics 2011.

Speaking of the Christchurch earthquake, the charity issue of Funtime Comics Darkest Day: Comics for Christchurch, devoted to raising funds for the victims of the Christchurch earthquakes will also be on sale from the NZ Comic Creators table. It features an all-star line-up of NZ comic creators for only $10, with all proceeds after printing costs going directly to the Red Cross.

The Zinefest Market takes place tomorrow at St Kevins Arcade, 179 Karangahape Road, Newton, from 12 noon - 5pm; so set aside some of your zine buying budget for these essential NZ comics!

-AK!

Wednesday, July 13, 2011

VIDEO: Auckland Writers & Readers Festival: Graphic Novels, Comics & Cartoons


Above: Dylan Horrocks talking comics.

A few months back I chaired a panel Graphic Novels, Comics and Cartoons, for the annual Auckland Writers & Readers Festival. Featuring some of the best and brightest minds in New Zealand comics and literature, I was joined by cartoonists Dylan Horrocks, Ant Sang, Chris Slane and YA author Karen Healey to discuss our love of the medium and the creative process.

If you weren't able to make on the day, the panel was filmed and is now available to view online!
Unfortunately the slides we're discussing aren't visible in the video, but as an exclusive bonus I'm happy to present them as a Slideshow below, so you'll be able to follow the conversation as we go.

Highlights: Ant reveals his in depth writing process and it's relation to screenwriting; Chris discusses how using google earth and historical research informs his work; Karen talks about the mistreatment of female characters in superhero comics, specifically the death of Spoiler from DC's Batman: War Games event; and Dylan dishes the dirt on working for DC Comics on that same event! (possibly with a Dan DiDio impersonation..?) But more to the point, he talks us through the creation of his latest serialised web-comic Sam Zabel And The Magic Pen.

Enjoy!

*All Slideshow art and content is copyright it's respective rights holders.

PS: For our foreign viewers, yes that's a New Zealand accent...(Yikes...I know, go ask Anna Paquin if you don't believe me!).

-AK!
Above: Chris Slane waxing lyrical on comics and how easy it is to draw Don Brash as a zombie...

Monday, July 11, 2011

EVENT: Auckland Zinefest 2011



Auckland Zinefest is already well under way, with plenty of events for fans of traditional DIY self-publishing in all it's forms; from magazines to comics and everything in between. The featured centerpiece of the event will be this Saturday's Zinefest Market, held at St Kevins Arcade, 179 Karangahape Road, Newton. From 12 noon - 5pm you'll be able to buy and browse a wide variety of zines and comics, as well as take part in special talks and activities.

Above and below: Photos from Auckland Zinefest 2010.

Featured events include: a talk by cartoonist Sam Orchard of Rooster Tails on 'Trans and Queer Web Comics'; a panel discussion 'Zines as a Tool for Resistance' organised by Rebel Press; and a binding workshop 'Inside Out' by David Merritt from Landrover Farm Press on how to recycle hardback covers, scavenged cardboard and flour sacks.

The New Zealand Comics Creators store will be there on the day, distributing the best of NZ comics from across the land. Web-cartoonist Marc Streeter will be on hand with a new comic-book from his popular web-comic ActionMan Adam, and the Sheehan Bros will have the latest issue of their immaculately presented graphic novella, Into The Dark Woods (return here for a special preview later this week!).

After a long day of Zine purchasing, you can unwind at the official Zinefest After Party held downstairs at The Wine Cellar from 8pm, featuring live band, karaoke and punch specials all night long.

There are plenty of other Zinefest events taking place this month, so visit the website HERE for more information and details.

-AK!

Sunday, June 26, 2011

Beyond Reality Media: The House That Bill Built


For the last 15 years, William Geradts (or 'Bill' as he's more commonly known) has been the mastermind behind New Zealand's biggest popular culture convention, the Armageddon Expo.

From a humble beginning as a comics swap meet in a suburban meeting hall, the Armageddon Expo has grown to accommodate a wide variety of popular culture interests over the years, from comics and manga, gaming and sci-fi film and television guests. As it's grown in popularity, it's also increased in size to match; from a floor of Auckland's Aotea Centre to the entire building, it's now so large the ASB Showgrounds is the only venue in Auckland with enough room to contain it. The Expo now hosts up to six events a year, held across New Zealand and Australia in Auckland, Wellington, Christchurch, Dunedin, Hamilton, Melbourne and Adelaide.

Above: William 'Bill' Geradts.

You would think organising this rotating line-up of events would be enough to keep Geradts busy, but over the last year or so he's being dropping curious hints on his Twitter account about plans to broaden his media empire in a more creative direction...and he's now ready to share the results.

From this Friday he'll be making the move from promoter to publisher, with his new online comics company, Beyond Reality Media. Launching with four new comics (and one reprinted), they will be available to read online for FREE with daily updates of two new pages from each title every week. To produce these titles, Geradts has recruited local and international talent to bring these concepts to life.

He's a breakdown of the titles on offer:
Attica: Launching July 1st
Written by William Geradts & Christian Gossett
Art by Darick Robertson & Richard Clark

Synopsis: What if the ancient world’s bloodiest conqueror walked the modern world as its greatest prophet?


Warden: Launching July 4th
Written by William Geradts & Christian Gossett
Art by Alan Robinson, colours by Cristian Gonzalez

Synopsis: What if the world’s greatest superhero is actually something else entirely?

The Inspiration Duncans: Launching July 5th
Written by William Geradts & Richard Fairgray
Art by Michel Mulipola & Gonzalo Mertinez

Synopsis: Patrick discovered the missing link…then killed it. He’s REALLY sorry.

The Red Star: Launching July 6th (previously published by Image Comics)
Created, written & drawn by Christian Gossett, produced with Team Red Star

Synopsis: One of the most celebrated graphic novel series of the decade is an epic mythology inspired by the art and history of the Soviet Union.
Robert Rankin's Empires: Launching July 7th
Written & drawn by Robert Rankin
Colours by Coleen Littleford-Allen

Synopsis: A girl adventurer, a monkey butler, alien invaders and the darkest magic on Earth. The year is 1895 and the world is coming to an end.

It's certainly an interesting and varied line-up of titles, and he's what we know about the creators:

Christian Gossett (co-writer of Attica & Warden, creator of The Red Star): This artist & writer came up through the film industry as a concept artist for Lucas Film, his main claim to fame was his design for Darth Maul's double-sided lightsabre. His comic series The Red Star was originally published through Image Comics in 2001. After several appearances at Armageddon Expo in the early 2000s, I believe he caught the eye of Weta Workshop's Richard Taylor, and was soon providing concept art for King Kong and other film projects for the effects company. The most recent project he contributed to was Alice In Wonderland for Disney.

Robert Rankin (creator of Empires): Is a cult British fantasy/humour author of 33 novels, including Necrophenia (2008) and Retromancer (2009). He originally trained as an illustrator before becoming a full-time writer, so this will be the first project he's fully illustrated himself in over thirty years. The results should prove interesting...

Richard Fairgray (co-writer of The Inspiration Duncans): Richard is best know as the local creator of Blastosaurus, which was published monthly in New Zealand before catching the attention of film producer Jeff Katz, who enlisted Richard and his comic for his American Original publishing company. While Katz has proved to be 'all talk, no walk', Richard has continued to produce his own comics and animation projects, including this new collaboration.

Michel Mulipola (artist of The Inspiration Duncans): Joining Richard on The Inspiration Duncans is Michel Mulipola, a local up and coming Samoan comic book artist. By day he is a comic store clerk at Gotham Comics in Onehunga, and by night he is living the dream as a wrestler AND comic artist (a deadly combination of creativity!).

Alan Robinson (artist of Warden): Alan Robinson is a Chilean artist, responsible for the Weekly World News comic series for IDW. His work can also be found on the Terminator: Salvation Prequel, some Star Wars books, and as co-creator of Lost Squad.

Darick Robertson (artist of Attica issue 1): An A-List talent, Darick is best known for his artwork on such best-selling comics titles as The Boys, Transmetropolitan and Punisher. Taking time out from his busy schedule to provide the artwork for issue one of Attica is a real win for Bill and his team, a move that's guaranteed to turn industry heads.

Richard Clark (artist of Attica issue 3 onwards): Richard Clark has worked for a wide variety of entertainment clients, including: HBO, Playboy, The Wall Street Journal and Marvel & DC Comics. He recently providing finishes over Darick Robertson's breakdowns for The Guild:Vork for Dark Horse.

I think Bill's making a very savvy, smart move here by providing the comics free online before collecting them together as print collections. I've talked about this before, but New Zealand has never had the population to support a print network for comic books they way the US has, despite some noble efforts in the past. As it stands today, it can barely support local magazines and newspapers as the real move towards digital media has truly begun in earnest.

I was curious to see if Bill would attempt a print run, as he does in fact have a very strong and potentially profitable network of distribution set-up through his convention circuit. It would have been an interesting experiment, but the smart money is really online, where his books will be able to reach a much larger audience than our limited print population. Plus his network will still be in place to distribute the online material in collected editions, with the first paperback of Attica due in time for the Auckland Armageddon Expo in October.

So for the first look at these books, visit the Beyond Reality Media website HERE on Friday for the launch of Attica, and witness one of the biggest moves in New Zealand comics for some time. It will be interesting to see how this develops, check back here for creator interviews in the coming months ahead.

-AK!

All images and logos in this story are copyright Beyond Reality Media 2011, except for The Red Star copyright Christian Gossett 2011.

Thursday, June 16, 2011

A Glow in the Dark: Green Lantern Movie Review


Above: Ryan Reynolds as Hel Jordan. Copyright Warner Bros/DC Comics 2011.

I have an old beaten-up copy of a
Green Lantern comic from my childhood featuring a letter column in which a reader fantasised about what it would be like to see a Green Lantern movie in theatres; to see the green constructs of the ring-slinger's will power brought to life on the big screen, to hear the lantern's sacred oath spoken in surround sound, "wouldn't that be something?", he wondered.

Almost 20 years later, I was thinking much the same thing at last weekend's movie premiere. Talking with fellow GL comics fans, artist Michel Mulipola and TV personality Colin Mathura-Jeffree, we couldn't help but pinch ourselves: are we really about to see a movie starring Green Lantern?

Much like Marvel's
Ironman, Green Lantern has always been considered a second-tier comics character without the brand recognition of Batman or Superman. But never the less, he's had a loyal fan-base since his re-introduction in Showcase Presents #22 from 1959 (an earlier namesake of the character existed in the 1940s). Re-imagined as the first human recruit in an intergalactic police force by writer John Broome, test pilot Hal Jordan was an immediate hit with fans. It didn't hurt that his adventures were drawn with dynamic action by the legendary artist Gil Kane, who fashioned one of comics' most iconic costume designs for the character, one which is still used in comics today and the basis for the film design.

Above: Ryan Reynolds on set with kiwi director Martin Campbell. Copyright Warner Bros/DC Comics 2011.

Bringing a sci-fi comics character like Green Lantern to the silver screen is no easy task, one that was entrusted to kiwi director Martin Campbell. Known more for his gritty hands-on action films like
Casino Royale, Edge of Darkness and The Mask of Zorro, Campbell certainly had his work cut out for him here; juggling an origin story, explaining the mythology of the Green Lantern Corp, and still trying to find time for humour and romance, while processing all of this in 3D. He may have bitten off more than he can chew, but for the most part he gets it right.

The movie opens with the introduction of the fear-infused entity Parallax, whose appetite for fear and destruction sets events in motion, as he escapes from his imprisonment in a distant sector of space, fatally injuring Green Lantern Abin Sur (an unrecognisable Tem Morrison) in the process. Making a bee-line for earth, Sur's power ring is seeking a worthy replacement, which it finds in the unlikely form of impulsive hot-shot pilot Hal Jordan (Ryan Reynolds).

Above: Temuera Morrison as Green Lantern Abin Sur. Copyright Warner Bros/DC Comics 2011.

This opportunity to get waaay out of dodge comes at the right time for a restless Jordan, facing disciplinary action for his cocky pilot antics and generally written-off off by everyone bar his ex-girlfriend/boss Carol Farris (Blake Lively) and tech supporter Thomas (Taika Waititi). Once in possession of the ring, he's soon whisked away to the planet Oa, the home of the Green Lantern Corp, for alien boot-camp 101 with instructors Sinestro (a suitable arrogant Mark Strong), Tomar-Re (voiced by Geoffrey Rush) and Kilowog (voiced by Michael Clarke Duncan), and as much plot exposition as he can handle.

Meanwhile back on earth, nerdy scientist Hector Hammond (Peter Sarsgaard) is brought in by the government to study the remains of Abin Sur. The autopsy results in a different gift for Hammond: an infection of Parallax's yellow energy, which grants him with telepathic powers and an unsightly enlarged forehead. With their new found powers, Jordan and Hammond are soon on a collision course which inevitably leads to a final showdown with Parallax making a pit-stop to snack on Earth before his final destination, Oa.

Above: A scene set on the planet Oa. Copyright Warner Bros/DC Comics 2011.

As a film, Green Lantern visually stands apart from the crowd with it's unique look and eye-popping visuals, thanks in large part to a couple of Oscar winning kiwis: production designer Grant Major and costume designer Ngila Dickson.

Major's conception of Oa is a joy to behold and sets a new bar for digital environments; it's believably alien, with realistic textures and lighting effects that are only enhanced by the 3D processing. Dickson's decision to go with all CG costumes for the Green Lantern actors is probably the film's biggest gamble, and it pays off. As pure energy constructs themselves, the costumes neatly reinforce the story while making the human actors seamlessly blend in with the legion of CG created creatures. The fact this separation doesn't occur to you immediately only signals just how much of an achievement this really is. It's a true credit to both of them that this film is at it's best during it's cosmic sequences.

Above: Hel Jordan on the Planet Oa, with the rest of the diverse Green Lantern Corp. Copyright Warner Bros/DC Comics 2011.

The film soars in outer-space, it's only when it comes back down to earth that it looses it's momentum on several fronts.

Written by TV veterans Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg (who between them have written for Everwood, Smallville, Flash Forward, No Ordinary Family as well as comics for DC and Marvel), are no strangers to this kind of material, yet they still struggle with a larger canvas. The story manages to feel both exposition heavy in places and too light in others. To be fair, there is a lot of material to explain in it's two hour running time, but that comes at the expense of characterization. Many of the leads are sketched out with the thinnest of personalities, leaving the actors with some serious heavy lifting. Lively and Waititi particularly have to work hard not to blend in to the background; and Strong as Sinestro does his best, even though in plot terms he has precious little to do.

Above: Hel Jordan (Ryan Reynolds) with Carol Farris (Blake Lively) share a brief emotional moment. Copyright Warner Bros/DC Comics 2011.

A back-story tying Hal, Hector and Carrol together as old friends is alluded to, but is frustratingly underplayed (maybe even cut for pace?), which would have helped give crucial scenes the emotional weight they desperately need. This becomes even more of an issue when the central theme should be 'strength of will can overcome fear'; and apart from a late rally from Reynolds, few of the other characters get the chance to show much of an emotional response at all. The humour and romance is wedged in between all these other moving parts, and comes across as a bit forced. Thankfully Reynolds' natural star-power and easy-going delivery sells the humour, and if he had more than a handful of scenes with Lively perhaps the romance would have felt more natural too (although female viewers may disagree, as apparently a little Reynolds goes a long way!). Drawbacks in the scripting aside, Chambell along with team of effects expects, still manages to elevate this material and give it the grand space opera treatment it deserves.

As is customary with comic films these days, there's a fun after credits teaser; although DC should take note: a teaser scene shouldn't be a plot point that appears to be forgotten from the main feature, as it looks more like a plot-hole and less like a extra treat.

Above: Hel Jordan (Ryan Reynolds) summons his will power. Copyright Warner Bros/DC Comics 2011.

Overall,
Green Lantern is a promising addition to Warner Bros/DC Comics franchise of comic-based movies, and will hopefully get a the chance to fly again in a sequel free of it's origin story restraints. Best of all, it's easily the most accomplished 3D film to come along since Avatar, which along makes it well worth the ride across the universe.

For more information on the movie, you can visit the official site HERE.

-AK!
Above: I took some time out from blogging to join the Green Lantern Corp!